Knights in the Nightmare
King Wilmgard is dead. The cause was conspiracy, and his castle was rotten with it. Itís kind of ironic, in a way; the most beneficent and beloved ruler in centuries, undone by the corrupt ambitions of his most trusted peers. But the tragedy didnít just end with him. The countryís demise was almost as brutal and merciless as that of its king. The Knights of St. Celestina - along with anyone else loyal to their murdered leader - have been exterminated, right down to the last squire. They were slaughtered and replaced by the invading armies of the underworld. The kingdom is past the brink of destruction, and hope is just a memory.
But for Maria, itís not over yet. The game treats you to a rather lengthy intro montage of her hacking, slashing, and frying wave after wave of evil castle guards and sentries. While this scene is supposed to blow your mind with the flashy lighting effects and artistic style (and it ought to, if you compare it to the other SRPGs on the DS), it also kicks things off in media res and immediately gets you into the story. Maria broke into the castle and freed the soul of King Wilmgard, which apparently has the will and power to restore the country to its former glory. The progression of Knights in the Nightmare focuses on the kingís soul making the journey back home, meeting the souls of his dead followers, and exacting vengeance on those who betrayed him. What makes the tale so interesting is that itĎs told in two storylines; while the king is slowly making his return and dealing with his adversaries, the situation leading up to his tragic end is told via flashbacks. Youíll get a glimpse of the Knights before they were all butchered; the chaos, confusion, sorrow, and those last, grim stands against an unstoppable foe.
Itís morbid, isnít it? All of the good guys have already been killed off. Their souls, on the other hand, havenít moved from where their bodies were. So when you start a battle, youíll get to see their wispy outlines standing ready to dish out some punishment from beyond the grave. They canít do things on their own, though; the king has to possess them and direct their actions. The gameplay basically boils down to using the stylus to choose a weapon for them to wield from a menu, clicking and dragging it onto the right unit, charging an attack, waiting for an enemy to get in range, and dealing out as much damage as possible. Itís not exactly turn-based, either. Rather than forcing you to adhere to the typical SRPG formula, the game puts a time limit on your actions. The more powerful the attack, the more time is counted down. Your turn doesnít end until your time is up, which means you can potentially end battles in only a few exchanges. Itís an awesome spin on an old and stale concept; it keeps the gameplay moving at a fast, real-time pace and makes you more focused on the battle at hand.
Youíll have to be, too. Even if the king canít be killed twice, he can be stalled into defeat. Since youíre only given 26 turns to get your business taken care of, youíll have to keep an eye on how much time you have left. Executing fully-charged special attacks might take up some of your turn, but itís the enemy attacks youíll have to watch out for. Rather than trying to carve him up - a sword canít do anything to a ghost, after all - your foes will spout tons of projectiles across the screen. Fireballs, thunderbolts, stars, glitter, bubbles, water cannons, laser beams, shattered glass, sonic booms, and countless other hazards will force you to keep the kingís soul moving. Getting hit by one of these takes out a considerable chunk out of your time, which means youíll have to spend as much time dodging as you are creating strategies and mounting attacks. In a game with an already unorthodox approach to combat, the whole ďbullet hellĒ half makes it into a refreshingly original and intense experience. Those who expect this to be another generic strategy game are going to be in for a big surprise if they donít keep their styluses handy.
Thatís assuming that they actually understand what theyíre doing. If the complex combat mechanics are any indication, Knights in the Nightmare is not an easy game to get into. Oh, youíll get a hang of things eventually. But if you donít bother doing your homework and trying out the tutorial, youíre going to be lost. Period. Thereís so much - almost too much - to remember. Itís not just the usual stuff like how classes can carry specific types of weapons, or how you have to pay attention to the range and elemental types of your attacks. Itís how you can switch the battlefield between lawful and chaotic (complete with alternating colors a la Ikaruga), and how that affects what kinds of special attacks your weapons can pull off. Not to mention how said attacks can deal out additional damage if the enemiesí positions and weaknesses are just right. Or how theyíre fueled by the crystals youíll collect from the slain monsters. Thatís on top of how foes correspond to a grid at the bottom of the screen, which fills in a space upon their deaths. And how you have to destroy some the scenery to find items that can be used to recruit your otherworldly allies. The gameplay mechanics go on and on and on. Even with the easily accessible tutorial, thereís no way you can keep track of everything at once.
Just when you think youíve got a handle on everything, a quick glance at the menus will render you slack-jawed all over again. The sheer amount of options involved in building your ghostly army is staggering. Recruited knights donít just level up; if you use them too much, theyíll lose their vitality and vanish. Instead, all of the experience points get pooled and can be spent strengthening whichever units you want. If one of them becomes obsolete, you can combine them with another knight to make them stronger. That in itself is complicated; loyalty stats, race, and a bunch of other stuff you probably donít care about all play a factor. The only thing youíll probably have to worry about is getting your units leveled high enough to use their weapons efficiently; special attacks can only be pulled off if your characters are powerful enough to use them. The item menus are a piece of work, too; everything gets its own durability, attack strengths, elemental attributes, and customization. While the combat is relatively straightforward, prepping your army is what makes up the lionís share of the game. Considering how fast the battles can go, youíll probably spend more time tweaking your team into perfection than you will actually fighting.
Overwhelmed yet? Donít feel bad. Itís as if the designers wanted to test how unnecessarily complicated they could make a game before you keel over from the sheer overload of information. Itís not necessarily a bad thing; depth is what keeps games from being generic. But thereís a point where it just becomes too much to handle. Even if all of the complex systems and mechanics are connected well, actually using them can be a hassle. The problem lies with the layout of the menus and how they work with the stylus controls. Clicking and dragging weapons to your character might seem simple, but the tiny item icons donít make action very user-friendly. Itís even worse if thereís a unit near the item list; you might accidentally click on your knight and start up an attack, wasting you valuable seconds. Or how you have to draw a circle in a specific place to toggle between lawful and chaotic, which could have been easily remedied by mapping the command to another button. Even the menus themselves can be annoying; the game either displays information or selects something depending on how hard you press with the stylus, but it occasionally misreads the command and leaves you awkwardly trying to correct it. Itís a shame that there wasnít more consideration put into this; no amount of depth can make up for a needlessly cluttered display.
But itís the voice acting that really kills it. Having characters speak is a rare and welcome feature for a DS game, but the execution is all wrong. Itís great how the knights spout off lines like ďFor our country!Ē or ďFear my blade!Ē, but they come off as awkward and overemphasized. Even Maria, who is a complete badass in nearly every scene, sounds like a whiny little girl having a temper tantrum. What makes it worse is how they repeat the same lines every single time you attack; even the most spectacular spells arenít immune to the screechy quotes. Itís an annoyance, especially when youíre trying to enjoy the superb soundtrack. At least they summon some awesome attack animations. Youíll see the ground split open and consume targets in holy light, fiery arrows drizzling the battlefield, and paladins charging forth with enough strength to leave sonic booms in their wake. One of the gameís strongest assets is its stylish presentation; the backgrounds are all drawn with a wide spectrum of colors and detail, offering you a glimpse into the murky, desolate ruins of the dead kingdom. Despite having such a huge cast of characters, each of the knights gets their own profile drawing and inkling of personality. While the majority of them donít get much time onscreen aside from their deaths, they make an impressive ensemble. The presentation doesnít make up for the gameís other flaws, but itís still among the best on the system.
If thereĎs one thing worth commending about Knights in the Nightmare, itís the ambition that went into creating it. Atlus has taken the typical gameplay formula and twisted it into something far, far stranger. Thatís not a bad thing; it keeps the game from becoming yet another generic entry in the DSís ever-growing list of SRPGs. The story is a morbid and tragic tale of a fallen country and the those who lost their lives defending it. The timing and charging mechanics are a refreshing change from the usual turn-based system. The bullet hell aspect is such an unusual addition, but itís pulled off well. The sheer variety of gameplay elements, customization, and other options make many of the other handheld strategy games a joke. The problem is that thereís too much of a good thing; a lot of interesting ideas that, if only slightly changed, would make the game so much better. The cluttered screens and occasionally unreliable stylus controls donít break the game, but they do make it annoying. Same goes with the voice acting, despite the spectacular animations that come with them. Knights in the Nightmare is not an easy game to get into, and its complicated mechanics might be too overwhelming for those looking for simpler fun. Regardless, few games can reward your efforts as well as this one can. Pick it up if you want something different. Long live the king.
Eight out of ten
- It has a wonderful, dark story with a great ensemble cast.
- The timing and charging mechanics are great twists on the usual SRPG mechanics.
- The bullet hell gameplay keeps the battles fast-paced and focused.
- Tons of variety in terms of party customization.
- It's easily one of the most beautiful RPGs on the DS.
- This is not an easy game to get into.
- The sheer amount of gameplay elements might seem overwhelming.
- The screen is needlessly cluttered, making the stylus-only controls slightly annoying to use.
- The voice acting is plentiful, but terrible.